– All right so today “were having” the iPhone 13 Pro Max. Now every generation, the camera seems to be getting better and better. But what recently came out is the ability to shoot in ProRes. Well, let me go ahead and get started by shootinga few things in ProRes and internal trimming it with somefootage out of this Canon C7 0 and be seen to what extent obvious it is whenever I swap between the two cameras.( upbeat music) – It’s just so beautiful here. -[ Man] Is that a massivepenis that someone carved out? – Well, over there.( somebody laughs) – Say right on any? No. – Your accuracy was maybe like 50%. – Yeah? – Yeah. – Yes. – No, but that’s, I, they do. That’s not that good .( lover sighs) – No, I think you’re going to say 15%. So( sighs) – No, I mean there’s only two options. Like if you literally threw a silver, you would probably get 50%. – trying to have something here. Okay. – So you thought this first shot now was a professional camera? – I reflected, but I predict not. – you probably thought thatbecause of the penetration of battleground, the background’s actually a little blurry. So that’s usually assignableprofessional camera, but with the iPhone 13 pro max, having that bigger sensor, you can actually achieveshallowed up the field. So this is actually iPhone. – that’s iPhone.- No, this is C7 0 So all slow-mo shots arefrom the professional camera. How about this one? – iPhone. – You call this one out accurately. – Yes. It’s just the way she is moving. There’s something about themotion of it that grab my nose and it just made me feel more like iPhone. – Did it feel almost like exceedingly sharpen in terms of just like the gesture? – I suspects, yeah, well .. – Okay. I think what you’re lookingat is the fast shutter speed, which is correct. Cause the professional camera, the screen rushes locked inthe iPhone is kind of merely doing whatever. And each time it gets brighter or darker, it various kinds of just does its own thing.- That is not iPhone.( machine sounds) – That is iPhone. -( foreighn communication) -( gentleman shrieks) What did you say? – It’s German. – Now the most difficult giveawayfor this shot is that it’s very stabilizing. I didn’t have a gimbalwhile I was out there. Now the iPhone stabilizationis really good to where it can look like you’re on a gimbal. Even if you’re just walking around, being all bumpy. Now one of the following options shots is iPhone and one of the following options is professional. – That’s the iPhone.He swingings his hands around. It has that various kinds of, I predict. – Oh, okay. So your main giveaway is theshutter speed being fast. That’s interesting because for me, my biggest giveaway isthe artificial sharpen. So here everything looksreally natural, right? But then you look at the iPhone shot and all the details in the backare almost overly sharped. And then you look at theimage and you go, “oh wow, that’s sharp.” But in reality, it should look a littlebit more flat like this.Now I can’t come down to preference. Sometimes parties likethe super sharp watch, but most of the time ina professional camera, you don’t have to actually add in any focu. – Professional camera.That’s professional camera. That’s iPhone. – The biggest giveaway here isthat little common lens flare you find over Carrie’s jacket right there. Now the reason why that flareis mounting around like that is because the camera isstabilizing the image, but it can’t stabilize the flare. So the explosion is mounting around, even though everythingelse looks nice and even. – Regular camera. Professional, professional? – Were you expecting it to be this hard to tell the difference? – I predicts nothing, No – Oh, I intend, I knew they were comingout with better cameras. I just like, oh, so we’re basicallyalmost at the same level unless you knew what you’re looking for. – but it is case by event. So we will try out a few more situations where the difference might be more obvious or maybe not as different as we felt. So the next one we will dowith the A7S and the iPhone, and we will shoot our sponsorsship, segment storey blocks.-( male titters) accurately. I start talking. So some impressive story. We used to go and shot thisepic storey block segment. But when we got back, we “ve learned that” the audiofiles had gone corrupt. So we don’t have any goodaudio to go with this, such a bummer, but this is the type of situationwhere story blocks actually comes into play. You rarely get all the shots it is necessary to or the drone shots or the time-lapses. So floor blocks is thereto help patch up your work or make it better.Or if you crave, you can just create an entire video with their stock footage and epitomes and music and sound aftermaths. They have a big accumulation of over a million stock resources. There’s also premiere andafter consequences templates. So if shaping crazy graphics like this is really daunting to you, then don’t worry. You exactly have to reached download, barter out a few things, and everyone thinks youactually know what you’re doing. Isn’t that enormous? And with our affordableunlimited all access schedule, you have access to all of this and unlimited downloads a attach down there in the description.Thanks again, to narrative blocksfor patronizing this incident. All claim. So now we have a better ideaof how the cameras look. Let’s go to the next round of footage and see if you can tell the difference.( mortal bups) an war.( upbeat music) – Yeah. – I’ve got to say thedifference between the phones and pro cameras, it’s getting slimmer and slimmer every time I make one of these videos. I symbolize, before they would both watch really good, but as soon as you go into low-grade daylight, it was dead giveaway, that iPhone wasn’t nearly as good but here, it’s holding up pretty good. All title. So I’m lag Carrie into this and she’s going to try tocall out some of shots. Let’s see how accurate you are. – Okay. I phone.( machine sounds) iPhone( machine beep) A7( machine beep) A7( machine beeps) mmh perhaps A7( machine hums) iPhone.( machine fusses) A7( machine chatters) iPhone.( machine beeps) Aaah, I dunno. They’re going so fast. Ah, iPhone.( machine beeps) A7 – It’ s hard. It was so fast. The slasheds are so fast.I didn’t have opportunity toreally get a good look at it. – So you may be wondering why people spend thousands on camera when an iPhone is pretty dang close. – Yeah. I’m wondering why we haveso many cameras then.( both beings chortling) – Oh, camera itself is veryimportant on generating the epitome, but the lens collection can be just as, or maybe even more important to the image. – That’s why we also have a lot of lenses.( parties chortling) – Exactly.( beings roaring) – So far we’ve been using the 16 to 35 F4 which is my kind of go-to vloglense but swung by the room, swapped it out for the 35 to 150 and opens up to F2 point.Oh, let’s see how this plays. All liberty, Carrie, this is your chance to redeem yourself. – iPhone( machine beeps) A7( machine beeps) iPhone( machine beeps) A7( machine beeps) iPhone( machine beeps) A7( machine beeps) – You get everyone right this time. It was just a lot easier. – I think so. Yeah. – The difference is all in that lens. Like the iPhone is technicallygreat for what it can do, but when it comes to the lens options, you’re rather limited tolowlight concerts rate on 1x lense but if you go into theAltro wide or telephoto, immediately, see it’s not almost a good.- Now on a pro camera choosing the right lens is everything. And it’s not like there’s the most wonderful lens. That’s perfect for everything. It’s kind of like musical instruments. You know, it’s not like one instrumentis superior to all others, even if they are the buster with the guitar is always getting all the chicks. And the chap at the clarinets over there, just like, “what the hell, dude, ” I’m a forte-piano player myself. I was kind of forced into it, but you probably already knew that. So far everything we’veshot on this iPhone has been in proRes 422 HQ, which is a Kodak or basically a type of compression. So you shoot somethingwith your lens and sensor. And that enter does compresseddown to smaller file sizes like HD 64 are small and it looks pretty good.HD 65 is even more contracted, but the goal is to maintaina good gazing portrait with small-minded file sizes. proRes On the other hand, it’s just like a slight, it’s scarcely squeezed. It’s visually lossless, which means massive file sizes, but you maintain all those items. Is it worth shooting inprogress on the iPhone? I would say most of the time , no, because you could have a file size. That’s a fraction of the sizeand pretty much get a very similar search image. I would be more interested in this proRes’ if there was an optionto shoot a log format, so I can color tier it somewhat heavily. But right now I don’t seeany options like that. Even in filmic pro, there’s no option to go flat. The basic codex seems to bepretty good previously until you switch over to a slow motion.That’s where I feel like thecodec really has a hard time staying together andkeeping that tone up. So if there was a way toput slow-mo in proRes, that would be awesome. But I just think the phonecan’t really handle that crusade that’s a lot of data to process very fast, but it is nice knowing that there is proRes available in now, extremely if that’s thecodec we want our workflow to be in. And also if I’m just tryingto get the best possible image out of this camera possible, then that’s how you would do it, at the cost of big documents. I have some cinema lensesthat open up to T 1.5 and cinematic procedure on the iPhone is supposed to digitally emulate it. So we’ll be seen to what extent these two compare.( upbeat music) What’s interesting about this is that this is kind of like real degree of discipline versusfake extent of field.Now we’ve had phony depthof domain in biography mode and stills for a while now, but we’re starting tofinally see it in video and it’s not quite there yet. You could obviously look at it and see that there’s like a glow going on around the edges. It’s not a perfect cutout. What do you think? It’s close, but yeah, I don’t know, what the glow thing you’re talking about. It simply stands out so much. – Yeah. It’s like not a perfect out. I don’t know how they makecinematic mode gapes so good in the apple commercials, but in real world use, it looks like this more often.And they’re certainly onthe right track though. Sometimes it’s not bad at all. Like this shot here, it’s almost convincing. Like it takes me a second to see for sure if it’s real or counterfeit. But formerly you look at it close enough, it comes a little bit more obvious, but I don’t know. I convey, it’s getting there. – I feel it searches a lot more vibrant. – Yeah. The color? Well, that is the color grade. So we can of course take theC7 and adjust the pigments and saturation and all that. There’s a couple of timeswhere I missed focus. Right? I couldn’t move you. With an iPhone, You can actually adjust wherethe focus vanishes afterwards. Cause it has that LIDAR depth information. But lover, I love your dance though. Where’d learn those moves, man? – I just made it up on my own.At my own subconsciou. – One of these days, we’re going to make an episode like this, but we’re not going to evenbe able to tell the difference between the two or threegenerations down the line. Am I going to start being like, “I don’t know what camerathat was shot on, ” you know, especially if they utter us moreversatility on how much it’s sharpened and all that stuff. And it is getting there. The engineering is getting pretty insane. After checking out the footage, I reflect the large-scale takeawayfrom this video is that it’s all about the lenses.Like be seen to what extent I have all thatunorganized bullshit back there. And it’s all cluttered. My background doesn’t look that nice. Well there now we’re at F2 point, oh my gosh, it doesn’t gape nearlyas agitating anymore. It’s still actuallydoesn’t look that enormou. I was hoping it wouldjust like get genuinely soft. I would need to go toa prime lens for that. But anyways, I consider I is also expected to make a video where I just go into detail about lenses, trying to pick out what lenses, what to look for and all that I don’t know. Is that something that youwould think would be useful? Because if so, I will reach that video, but if you want me tojust go do dumb trash, I’ll do that too. I don’t really care.I’m here for you guys. All freedom. So let me know in the comments. If you have questions about lenses, if you have trouble picking out lenses, then I want to help you. I got to wrap this up hereso I can upload a video. Cause I’m trying to stay more consistent and it’s really tough tostay consistent on things when you have ADHD is hardcore, but anyways, see you guys last-minute ..
